Search results
Results from the WOW.Com Content Network
The Presentation of Jesus is an early episode in the life of Jesus Christ, describing his presentation at the Temple in Jerusalem. It is celebrated by many churches 40 days after Christmas on Candlemas, or the "Feast of the Presentation of Jesus". The episode is described in chapter 2 of the Gospel of Luke in the New Testament. [1]
The Presentation at the Temple is a painting of the Presentation of Jesus at the Temple by the Italian master Giovanni Bellini, dating to c. 1460. It is housed in the Fondazione Querini Stampalia, in Venice, Italy.
Presentation of Christ in the Temple (Lochner, 1447) Presentation in the Temple (Lotto) M. Presentation at the Temple (Mantegna) Adoration of the Magi (Memling)
Presentation of Christ in the Temple is an oil-on-wood painting by the Italian Renaissance painter Fra Bartolomeo, most likely commissioned by Pope Leo X for the Epiphany of 1516. It originally hung in the novices' chapel in San Marco, Florence. [1] It is inscribed with the year 1516.
Presentation of Jesus at the Temple by Fra Angelico. Presentazione di Gesù al Tempio is a fresco by Fra Angelico made for the then Dominican Convent of Saint Mark in Florence, Italy. [1] [2] It depicts the dedication of Jesus in the Temple in Jerusalem as the first-born son of His family, as related in the Gospel of St. Luke, 2:23–24.
Presentation of Christ in the Temple is an oil painting on canvas executed c. 1640–1641 by the French artist Simon Vouet. The painting, which depicts the Biblical story of the Presentation of Christ in the Temple, was commissioned from Vouet by Cardinal Richelieu for the Jesuit church of Saint-Paul-Saint-Louis.
Elder Neil L. Anderson of the Quorum of the Twelve Apostles, speaks at a media briefing for the newly completed Tallahassee Florida Temple, Monday, Oct. 28, 2024.
Presentation of Christ in the Temple, 1447. The painting is in the late International Gothic style. It is rather static and sculptural, with any action limited to the main characters positioned in the center of the panel. The scene is set within a domed apse-like building, as an altarpiece takes center stage it is presumably a church.