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Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later on paper.
Auto printing machine in a RMG factory of Bangladesh Woodblock printing in Jaipur, Rajasthan, India Woodblock printing in Bagh, Madhya Pradesh, India Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns. Evenlode by William Morris, 1883. Evenlode block-printed fabric
Block printing in India is the traditional use of woodblock fabric printing in India. It is traditional and has a number of local variations. [ 1 ] It consists of stamping colored designs on fabric using specially carved wooden blocks.
For instance, in 327 B.C. when Alexander the Great invaded India, colorful, printed textiles were found. These textiles were typically printed with a carved structure, such as a wood block or rubber stamp, was adhered dye to the fabric. The process for this kind of textile decoration or design was called relief or block printing.
Battala woodcut prints are the woodcut relief prints produced in the Battala region of Calcutta. [2] [3] [4] Although woodblock printing on fabrics has been in India for centuries, the paper adaptation of woodblock printing appeared relatively late, because of the late entry and early exit due to advent of lithography the Battala woodcut printing had a remarkably short run.
Janet Ann Doub Erickson (June 29, 1924 – September 3, 2021) was an American graphic artist and writer who popularized linoleum-block and woodblock printing in the post-World War II period. She was a co-founder of the Blockhouse of Boston, an innovative art and design cooperative in Boston, Massachusetts .
The combination of this new wood engraving method and mechanized printing drove a rapid expansion of illustrations in the 19th century. Further, advances in stereotype let wood-engravings be reproduced onto metal, where they could be mass-produced for sale to printers. By the mid-19th century, many wood engravings rivaled copperplate engravings ...
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