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After Nero's death in AD 68, there was a widespread belief, especially in the eastern provinces, that he was not dead and somehow would return. [118] This belief came to be known as the Nero Redivivus Legend. The legend of Nero's return lasted for hundreds of years after Nero's death. Augustine of Hippo wrote of the legend as a popular belief ...
Nero was the fifth and final emperor of Rome's first imperial dynasty, the Julio-Claudians. The Nero Redivivus legend was a belief popular during the last part of the 1st century that the Roman emperor Nero would return after his death in 68 AD. The legend was a common belief as late as the 5th century. [1]
Nero's Torches (Polish: Pochodnie Nerona) is an 1876 oil-on-canvas painting by the Polish artist Henryk Siemiradzki. It is also known as Candlesticks of Christianity ( Świeczniki chrześcijaństwa ).
Nero offered his gardens for the spectacle, and was exhibiting a show in the circus, while he mingled with the people in the dress of a charioteer or stood aloft on a car. Hence, even for criminals who deserved extreme and exemplary punishment, there arose a feeling of compassion; for it was not, as it seemed, for the public good, but to glut ...
Tacitus was a member of the Quindecimviri sacris faciundis, a council of priests whose duty it was to supervise foreign religious cults in Rome, which as Van Voorst points out, makes it reasonable to suppose that he would have acquired knowledge of Christian origins through his work with that body.
Nero's death saw the end of imperial tenure as a privilege of ancient Roman (patrician and senatorial) families. In a single chaotic year, power passed violently from one to another of four emperors. The first three promoted their own genius cult: the last two of these attempted Nero's restitution and promotion to divus.
Quo Vadis (Latin for "Where are you going?") is a 1951 American religious epic film set in ancient Rome during the final years of Emperor Nero's reign, based on the 1896 novel of the same title by Polish Nobel Laureate author Henryk Sienkiewicz.
Church father Tertullian wrote: "We read the lives of the Cæsars: At Rome Nero was the first who stained with blood the rising faith" [17] Mary Ellen Snodgrass notes that Tertullian in this passage "used Suetonius as a source by quoting Lives of the Caesars as proof that Nero was the first Roman emperor to murder Christians", but cites not a specific passage in Suetonius's Lives as Tertullian ...