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Comedian and singer George Gobel had a special version of the Gibson L-5 archtop guitar custom designed and gifted to him by his friend Milton Berle in 1958, the "L-5CT" (cutaway, thin), featuring diminished dimensions of neck scale (24 3/4") and body depth (2 3/8"), befitting his own small stature, and a cherry red finish (for optimal ...
The K2 Series was the first thin body acoustic/electric guitar developed for the Kona line. The guitar features a high-gloss finished laminated spruce top, gold die-cast tuners, rosewood fretboard, full body and neck binding, an active pick-up system and a three-inch body depth.
The Fender Telecaster Thinline is a semi-hollow guitar made by the Fender company. It is a Telecaster with body cavities. Designed by German luthier Roger Rossmeisl in 1968, [1] it was introduced in 1969 and updated in 1972 by replacing the standard Telecaster pickups with a pair of Fender Wide Range humbucking pickups, bullet truss-rod and 3-bolt neck.
Improved synthetics techniques from helicopter engineering control vibrations in the bowl. Ovation developed a thin neck, striving for the feel of an electric guitar's neck, but with additional strength from layers of mahogany and maple reinforced by a steel rod in an aluminum channel. [5] The composite materials and thin necks reduced weight.
Penco made Martin- and Gibson-style acoustic guitars. Reverse engineered and built to spec, some of the closest replicas of the Martin D-28, D-35, D-41, D-45, and D-45 12 models in existence today were made by Penco, as well as bolt-neck copies of Gibson's Les Paul and SG guitars and basses, Rickenbacker 4001 basses, Fender Stratocaster and Telecaster guitars, Fender Jazz bass guitars, 12 ...
The guitar's combination of traditional magnetic pickups and piezo-electrics in the bridge allowed players to achieve both electric and acoustic tones. Perhaps most significant to the guitar's design is the almost complete absence of a neck heel to permit greater ease of access to the uppermost frets. [12]
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
Many guitarists did not desire the bulk of a traditional archtop guitar such as Gibson's L-5, one of Gibson's top models. The Byrdland, with its overall depth of 2 + 1 ⁄ 4 in (5.7 cm), is thinner than the L-5's 3 + 3 ⁄ 8 in (8.6 cm) depth.
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