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An 1888 reproduction of a Venetian list of medieval Greek alchemical symbols from about the year 1100 but circulating since about 300 and attributed to Zosimos of Panopolis. The list starts with 🜚 for gold and has early conventions that would later change: here ☿ is tin and ♃ electrum; ☾ is silver but ☽ is mercury.
Mercury is a chemical ... mercury comes from the planet Mercury. In medieval alchemy, ... vapor lamps and some "neon sign" type advertising signs and ...
The origins of the planetary symbols can be found in the attributes given to classical deities. The Roman planisphere of Bianchini (2nd century, currently in the Louvre, inv. Ma 540) [2] shows the seven planets represented by portraits of the seven corresponding gods, each a bust with a halo and an iconic object or dress, as follows: Mercury has a caduceus and a winged cap; Venus has a ...
Azoth was believed to be the essential agent of transformation in alchemy. It is the name given by ancient alchemists to mercury, which they believed to be the animating spirit hidden in all matter that makes transmutation possible. The word comes from the Arabic al-zā'būq which means "mercury".
Many more symbols were in at least sporadic use: one early 17th-century alchemical manuscript lists 22 symbols for mercury alone. [10] Planetary names and symbols for the metals – the seven planets and seven metals known since Classical times in Europe and the Mideast – was ubiquitous in alchemy.
Western astrological symbolism has common early origin with alchemical shorthand glyphs, and planetary divination has long been held in association with alchemy's symbols; the three primes of Paracelsus have been associated with the zodiac sign modalities, and tendencies of their nature in an elementary way to be construed as being mutable ...
In alchemy and philosophy, prima materia, materia prima or first matter (for a philosophical exposition refer to: Prime Matter), is the ubiquitous starting material required for the alchemical magnum opus and the creation of the philosopher's stone. It is the primitive formless base of all matter similar to chaos, the quintessence or aether.
In alchemy, each classical planet (Moon, Mercury, Venus, Sun, Mars, Jupiter, and Saturn) was associated with one of the seven metals known to the classical world (silver, mercury/quicksilver, copper, gold, iron, tin and lead respectively). As a result, the alchemical glyphs for the metal and associated planet coincide.