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By extension of its association with Mercury and Hermes, the caduceus is also a symbol of commerce and negotiation, two realms in which exchange balanced by reciprocity is recognized as an ideal. [6] [7] [8] This association is ancient, and consistent from classical antiquity to modernity.
This is an accepted version of this page This is the latest accepted revision, reviewed on 9 December 2024. Ancient Greek deity and herald of the gods For other uses, see Hermes (disambiguation). Hermes God of boundaries, roads, travelers, merchants, thieves, athletes, shepherds, commerce, speed, cunning, language, oratory, wit, and messages Member of the Twelve Olympians Hermes Ingenui ...
Like Hermes, he was also a god of messages, eloquence and of trade, particularly of the grain trade. He was the patron of travelers and the god of thievery as well. Mercury was also considered a god of abundance and commercial success, particularly in Gaul, where he was said to have been particularly revered. [6]
A 19th-century engraving of talaria. The Talaria of Mercury (Latin: tālāria) or The Winged Sandals of Hermes (Ancient Greek: πτηνοπέδῑλος, ptēnopédilos or πτερόεντα πέδιλα, pteróenta pédila) are winged sandals, a symbol of the Greek messenger god Hermes (Roman equivalent Mercury).
The caduceus is the traditional symbol of Hermes and features two snakes winding around an often winged staff. Ancient sources associate Hermes with a variety of attributes, including wisdom, trade, deception, thievery, eloquence, negotiation, and alchemy. [1] [2] Nevertheless it is often used as a symbol of medicine, especially in the United ...
The symbol ☿ for Mercury is a caduceus (a staff intertwined with two serpents), a symbol associated with Mercury / Hermes throughout antiquity. Some time after the 11th century, a crosshatch was added to the bottom of the staff to make it seem more Christian.
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The Statuette of Mercury is a Roman bronze statuette of the god Hermes created in the 2nd century CE. Acquired by the Metropolitan Museum of Art in 2023, it is among a set of similar set of figurines acquired throughout the museum's history to be of either Gallic or Italic origin that likely served as a figure of worship in family household shrines.