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Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed; put simply, it is lighting in regards to photography. Photographers can manipulate the positioning and the quality of a light source to create visual effects , potentially changing aspects of the photograph such as ...
Video demonstration of high-speed flash photography. A flash is a device used in photography that produces a brief burst of light (lasting around 1 ⁄ 200 of a second) at a color temperature of about 5500 K [1] [citation needed] to help illuminate a scene. The main purpose of a flash is to illuminate a dark scene.
Portrait with window light by Italian photographer Paolo Monti, 1955. Windows as a source of light for portraits have been used for decades before artificial sources of light were discovered. According to Arthur Hammond, amateur and professional photographers need only two things to light a portrait: a window and a reflector. [7]
A common artificial lighting strategy that creates an overall appearance similar to natural fill places the fill light on the lens axis so that it will appear to cast few if any shadows from the point of view of the camera, which allows the key light that overlaps it to create the illusion of 3D in a 2D photo with the same single-source ...
Light sources that affect the scene and are included in the actual frame are called practical light sources, or simply practicals. [2] Available light is an important factor in candid photography in order not to disturb the subjects. The use of available light may pose a challenge for a photographer.
In color photography, electronic sensors or light-sensitive chemicals record color information at the time of exposure. This is usually done by analyzing the spectrum of colors into three channels of information, one dominated by red, another by green and the third by blue, in imitation of the way the normal human eye senses color .
Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]
John Nash Ott (23 October 1909 – 6 April 2000 [1]) was a photo-researcher, writer, photographer, and cinematographer who was an early adopter of many modern photographic practices, including time-lapse photography and full-spectrum lighting.
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