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In jazz theory, an avoid note is a scale degree which is considered especially dissonant relative to the harmony implied by the root chord, and is thus better avoided. In major-key tonality the avoid note is the fourth diatonic scale step , or 11th, which is a minor ninth above the 3rd of the chord, and thus very harsh. [ 1 ]
An avoid note is a note in a jazz scale that is considered, in jazz theory and practice, too dissonant to be emphasised against the underlying chord, and so is either avoided, used as a passing tone or chromatically altered. [3]
The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. [3]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. [7] In the example below featuring C 7 ♯ 11 and C lydian dominant every note of the scale may be considered a chord tone [7] while in the ...
The term "The Lick" was coined by an eponymous Facebook group in the 2010s and popularized by a YouTube video assembled from clips from the group by professor Alex Heitlinger in 2011. [5] " The Lick" was not first seen in jazz, as examples of classical music, such as The Firebird by Igor Stravinsky , include tonal sequences similar to "The Lick".
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The ii–V–I progression is "a staple of virtually every type of [Western] popular music", including jazz, R&B, pop, rock, and country. [1] Examples include " Honeysuckle Rose " (1928), which, "features several bars in which the harmony goes back and forth between the II and V chords before finally resolving on the I chord," [ 1 ] " Satin ...