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The Mocking of Christ measures 25.8 cm × 20.3 cm × 1.2 cm (10.16 in × 7.99 in × 0.47 in) and depicts the mocking of Jesus prior to his crucifixion. [2] The work is painted with egg tempera on a gold leaf background, on a thinned and slightly bowed poplar panel prepared with layers of gesso ground in which a canvas is embedded.
Jesus Insulted by the Soldiers is an 1865 oil on canvas painting by Édouard Manet, his last religious work. It is now in the Art Institute of Chicago , to which it was left in 1925 by James Deering, heir to the Deering Harvester Company ( International Harvester ).
Édouard Manet, Jesus Mocked by the Soldiers, c. 1865. After his condemnation by Pontius Pilate, Jesus was flogged and mocked by Roman soldiers.They clothed him with a "purple" or "scarlet" (Matthew 27:28) robe symbolizing a royal gown since purple was a royal color, put a crown of thorns on his head symbolizing a royal crown, and put a staff in his hand symbolizing a scepter.
Turquin said the tiny painting may have been cut apart by an art dealer in the 19th century to get a better price. The piece shows the figure of Christ surrounded by an angry crowd who have come ...
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The oil painting combines two events from Biblical account of the Passion of Jesus: the Mocking of Jesus and the Crowning with Thorns.A serene Jesus, dressed in white at the centre of the busy scene, is gazing calmly from the picture, in contrast with the violent intent of the four men around him. [6]
Christ in Glory with Four Saints and a Donor; Christ in Glory with Saint Peter and Saint Paul; Christ in Glory with Saints and Odoardo Farnese; Christ in the Desert; Christ in the House of Martha and Mary (Velázquez) Christ in the House of Martha and Mary (Vermeer) Christ on the Mount of Olives (Caravaggio) Christ on the Mount of Olives (Paul ...
The Mocking of Christ (1628-1630) by Anthony van Dyck. The Mocking of Christ is an oil-on-canvas painting by the Flemish painter Anthony van Dyck (1599–1641). The painting is 112 by 93 centimetres (44 in × 37 in), executed 1628–30. It is held in the Princeton University Art Museum.