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Nero is an Italian-British-Spanish television film, part of the Imperium series; it was made film available on DVD as of November 2005 in the U.S. and Canada. Produced by EOS Entertainment and Lux Vide for RAI and Telecinco .
Deborah Kerr as Lygia Leo Genn as Petronius Peter Ustinov as Nero Patricia Laffan as Poppaea Publicity photo of Marina Berti as Eunice Ringling Museum Sarasota, Florida: Bronze statue of Lygea tied to the bull by Giuseppe Moretti. The film was originally cast in 1949 with Elizabeth Taylor as Lygia and Gregory Peck as Marcus Vinicius. When the ...
Mio figlio Nerone (literally: My Son Nero), released in the US as Nero's Mistress is a 1956 Italian historical comedy film directed by Steno and starring Alberto Sordi, Vittorio De Sica, Gloria Swanson and Brigitte Bardot, with cinematography by Mario Bava. [2] It depicts a visit by the Roman Emperor Nero and his entourage to a coastal villa.
Nero is a 1922 American-Italian silent historical film directed by J. Gordon Edwards and starring Jacques Grétillat, Sandro Salvini, and Guido Trento. [1] It portrays the life of the Roman Emperor Nero .
Although the studio initially sought a Frenchman, Italian actor Franco Nero was cast as Lancelot based on recommendations from Harris and John Huston, who worked with Nero on The Bible: In the Beginning... (1966). Although Logan was aware of Nero's thick Italian accent, he initially permitted him to do his own singing. [18]
Francesco Clemente Giuseppe Sparanero (born 23 November 1941), known professionally as Franco Nero, is an Italian actor.His breakthrough role was as the title character in the Spaghetti Western film Django (1966), which made him a pop culture icon and launched an international career that includes over 200 leading and supporting roles in a wide variety of films and television productions.
Django (/ ˈ dʒ æ ŋ ɡ oʊ / JANG-goh) [5] is a 1966 spaghetti Western film directed and co-written by Sergio Corbucci, starring Franco Nero (in his breakthrough role) as the title character alongside Loredana Nusciak, José Bódalo, Ángel Álvarez, and Eduardo Fajardo. [6]
The film was a success both in Italy and on foreign markets. Nearly 300 copies were sold abroad at the time of the original release. [2]The scene where Nero is beset by bad conscience, having a vision of the Christians he had sent to martyrdom (shown by a red-toned double exposure shot), had a strong impact on the audience.