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His choral poetry was known only through quotations by other Greek authors until 1855, when a discovery of a papyrus was found in a tomb at the Saqqara ancient burial ground in Egypt. This papyrus, now displayed at the Louvre in Paris, held the fragment with approximately 100 verses of his Partheneion (a poem sung by a chorus of adolescent girls).
For his text, Stravinsky chose passages from the Pauline epistles and the Acts of the Apostles, as well as a prayer by the Elizabethan poet Thomas Dekker, written in a style of English contemporary with that of the translations from the King James Version used for the Biblical passages. [1] The full titles of the cantata’s three movements are:
The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his chorale cantata cycle.
The Mass for Four Voices is a choral Mass setting by the English composer William Byrd (c.1540–1623). It was written around 1592–1593 during the reign of Queen Elizabeth I, and is one of three settings of the Mass Ordinary which he published in London in the early 1590s.
Both Choirs simultaneously rehearsed the choral parts of A Mass of Life, both separately and in livestreamed rehearsals led by Ben England and Bergen's Choral Director Håkon Matti Skrede. At the Bergen premiere in September 2022, Choir of the Earth's sound engineers captured high-fidelity recordings and used these to produce guide tracks ...
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale.It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn.
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