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In German, the word Choral may as well refer to Protestant congregational singing as to other forms of vocal (church) music, including Gregorian chant. [1] The English word which derived from this German term, that is chorale, however almost exclusively refers to the musical forms that originated in the German Reformation.
Plainchant, associated with the Catholic Church, was largely replaced with choral music sung in the vernacular language—usually German—and the corresponding musical forms from Catholic countries, such as the motet, were replaced with forms that used as their basis the chorales instead of the plainsong from which much of the motet repertory ...
Count singing requires analyzing a piece or section of music to determine how to subdivide it. For example, music written in 4 4 time could be count sung as quarter notes ("one two three four"), eighth notes ("one and two and three and four and"), triplets ("one and a two and a three and a four and a"), or sixteenth notes ("one ee and a two ee and a three ee and a four ee and a").
To improve students 'speaking ability in reading aloud (students' reading is recorded one = aloud) especially vocal sounds (a, e and u). Broadly speaking students are given a drill of some chant models with certain dominant sounds. After practice chant, tested the ability of students in uttering certain voiced words by reading a simple sentence ...
This category is intended for choral works that are not anthems, cantatas, oratorios or operas. Subcategories This category has the following 17 subcategories, out of 17 total.
A more elaborate polychoral setting, directly related to the music of the Venetian School, and often modeled after the work of Giovanni Gabrieli. The chorale cantata , culminating in the works of J.S. Bach , evolved out of the chorale concerto, and became a popular liturgical form in Germany for more than a hundred years.
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The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms:
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