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A funeral oration or epitaphios logos (Ancient Greek: ἐπιτάφιος λόγος) is a formal speech delivered on the ceremonial occasion of a funeral.Funerary customs comprise the practices used by a culture to remember the dead, from the funeral itself, to various monuments, prayers, and rituals undertaken in their honour.
Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri. It was soon reprinted in the Kansas City Times and the Kansas City Bar Bulletin. [1]: 426 [2] Harner earned a degree in industrial journalism and clothing design at Kansas State University. [3] Several of her other poems were published and ...
The laudatio Iuliae amitae ("Eulogy for Aunt Julia") is a funeral oration that Julius Caesar said in 68 BC to honor his dead aunt Julia, the widow of Marius. [1] [2] The introduction of this laudatio funebris is reproduced in the work Divus Iulius by the Roman historian Suetonius: [3]
Pericles' Funeral Oration, delivered at the end of the first year of the First Peloponnesian War to honor the Athenian war dead and their society; A Funeral Oration (Lysias) by Lysias, one of the "Canon of Ten" Attic orators (Speech 2 in Lamb's translation) Funeral Oration (band), a punk rock band from Amsterdam, the Netherlands
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
A Christian funeral sermon is a formal religious oration or address given at a funeral ceremony, or sometimes a short time after, which may combine elements of eulogy with biographical comments and expository preaching. To qualify as a sermon, it should be based on a scriptural text. [1]
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The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward FitzGerald, who adopted the style from Hakim Omar Khayyam, the 12th-century Persian poet and mathematician. Each verse (save the last) follows an AABA rhyming scheme , with the following verse's A line rhyming with that verse's B line, which is a chain rhyme ...
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