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Image of the Virgin Mary Mother of God of Guadalupe (Spanish: Imagen de la Virgen María, madre de Dios de Guadalupe) published in 1648, was the first written account of the story of Our Lady of Guadalupe. It retells the events of the 1531 apparitions that led to the Marian veneration in Mexico City, New Spain.
Our Lady of Guadalupe (Spanish: Nuestra Señora de Guadalupe), also known as the Virgin of Guadalupe (Spanish: Virgen de Guadalupe), is a Catholic title of Mary, mother of Jesus associated with a series of four Marian apparitions to a Mexican peasant named Juan Diego and one to his uncle, Juan Bernardino, which are believed to have occurred in ...
Virgen de los Dolores [253] 9 May 1965 Córdoba: Pope Paul VI Virgen de la Salud [254] 31 May 1965 Iglesia de Santa Leocadia, Toledo: Pope Paul VI Virgen de la Caridad [255] 15 August 1965: Sanlúcar de Barrameda: Pope Paul VI: Virgen de los Remedios [256] 15 August 1965: Serón: Pope Paul VI: Virgen de la Purificación, La Tizná de Jerez [257 ...
Our Lady of Guadalupe in Extremadura is a Marian shrine in Cáceres, Spain that traces its history to the medieval kingdom of Castile. [1] The image is enshrined in the Monastery of Santa María de Guadalupe, in the Extremadura autonomous community of Spain, and is considered the most important Marian shrine in the country.
The Codex Escalada. Codex Escalada (or Codex 1548) is a sheet of parchment signed with a date of "1548", on which there have been drawn, in ink and in the European style, images (with supporting Nahuatl text) depicting the Marian apparition of Our Lady of Guadalupe to Juan Diego which allegedly occurred on four separate occasions in December 1531 on the hill of Tepeyac north of central Mexico ...
La Virgen de Guadalupe Defendiendo los Derechos de Los Xicanos is an etching and aquatint created by Hernandez in 1976 while she was a student at UC Berkeley. [1] This print is in the permanent collection at the Smithsonian Museum of Art. [6] It is considered to be the first art to reimagine Our Lady of Guadalupe in a Chicana feminist context.
The screen print, Virgen de la Sandía (1996) was created again in 1997 by using an alternative art medium of watercolor paint. [12] [13] Margarita “Mita” Cuaron’s new version of the piece, Virgen de la Sandía (1997) depicts Our Lady of Guadalupe fully clothed in a pink gown covered by her recognizable green mantle with golden sun rays ...
López's deconstruction of images of women such as the Virgen de Guadalupe was an effort to acknowledge the complex social and historical conditions that inform the experiences of Mexican and Mexican American women". [43] In one specific image she portrays her mother, Margaret Stewart, sewing the Virgin's starred mantle.
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