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The Problem We All Live With is a 1964 painting by Norman Rockwell that is considered an iconic image of the Civil Rights Movement in the United States. [2] It depicts Ruby Bridges, a six-year-old African-American girl, on her way to William Frantz Elementary School, an all-white public school, on November 14, 1960, during the New Orleans school desegregation crisis.
The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century [1] that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods.
The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. Early on, the paintings typically depicted the Hudson River Valley and the surrounding area, including the Catskill , Adirondack , and White Mountains .
Considered a minor member of the Hudson River School, Moore later began painting in the Pre-Raphaelite style. He later became the first art professor at Harvard University, and the first director of the university's Fogg Art Museum. Moore was one of few watercolor painters in the Hudson River School, and was an early member of the American ...
Edward Stuart Davis (December 7, 1892 – June 24, 1964) was an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century.
The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Edouard Manet, Edgar Degas, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others.
Jahn became the Art Consultant to the German Embassy in Vienna in 1937, where he would then search for, purchase, and collect individual pieces of Hitler's art, allegedly in order to destroy a majority of the paintings. Jahn sold one of the largest collections of Hitler's art, about 18 pieces, with an average selling price of $50,000. [13]
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
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