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Several graphic designers and musicians have used the style of Blue Note's album covers as inspiration for their own work. A project by artist Logan Walters featured the album covers of Wu-Tang Clan reimagined in the Blue Note style. [69] Designs featuring portraits of US president Barack Obama have emulated those of the label's covers. [34]
The Grammy Award for Best Album Cover dates back to the first Grammy Awards in 1959. From 1962 to 1965 it was separated into Classical and Non-Classical divisions. From 1966 to 1968 it was separated into Graphic Arts and Photography divisions. In 1974, the name of the award was changed to Best Album Package, and changed again in 1994 to the ...
William Stanley Harvey (November 10, 1920 – July 15, 1993) was an American graphic designer and art director, responsible for the design of Elektra Records' logos and many of its album covers between the 1950s and 1970s including those by Love, The Doors, MC5, The Stooges, Judy Collins, Tim Buckley and others.
His Microdot graphic design company created the album cover for Oasis' debut album, Definitely Maybe in 1994. [2] Two of Cannon's record sleeve designs—Definitely Maybe (#14) and "This Is Music" (#79)—featured in Q magazine's "The Hundred Best Record Covers Of All Time" list published in 2001. [3]
1.14 Best Cover Artist. ... 2.37 Best Publication Design. 3 Special awards. ... Best Graphic Album: New. 1991 Elektra Lives Again, ...
Andie Airfix (27 August 1946 – 10 October 2018) was a British graphic designer who created album covers for Black Sabbath, Def Leppard, Judas Priest, Metallica, Philip Lynott, the Rolling Stones, Guns N' Roses, Paul McCartney and Thompson Twins, among many others under his own company Satori.
The duo first became known for their 1960s-style cover for The Chemical Brothers' album Push the Button. Their Baudot code-inspired art for Coldplay's album X&Y, however, was a larger breakthrough for the duo; Design Observer critic Adrian Shaughnessy wrote that it "[established] them as a new force in contemporary music design."
The graphic design and music communities were deeply saddened by the news of Steinweiss's passing, as he was widely recognized as a pioneering legend in the field of album cover design. Despite passing, Steinweiss's legacy lives on, and his designs remain a source of inspiration for designers and art enthusiasts all over the world.