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The orizuru (折鶴 ori-"folded," tsuru "crane"), origami crane or paper crane, is a design that is considered to be the most classic of all Japanese origami. [ 1 ] [ 2 ] In Japanese culture, it is believed that its wings carry souls up to paradise, [ 2 ] and it is a representation of the Japanese red-crowned crane , referred to as the ...
Tomoko Fuse (布施 知子, Fuse Tomoko, born in Niigata, 1951) is a Japanese origami artist and author of numerous books on the subject of modular origami, and is by many considered as a renowned master in such discipline.
Vol. 3 of the same work is devoted to another Kasahara interest: reverse engineering and diagramming classic Japanese origami models pictured in early works, such as zenbazuru (thousand origami cranes from the Hiden Senbazuru Orikata of 1797, one of the earliest known origami books), the origami art of folding multiple connected cranes out of a ...
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
This category is for origami, the Japanese art of paper folding. Other paper folding arts and mathematical aspects of paper folding are in Category:Paper folding . Subcategories
Origami (折り紙, Japanese pronunciation: or [oɾiꜜɡami], from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin.
This is a free timetable leaflet distributed in express train and has information about the departure, arrival time of the train and connecting services. For many years the “Kursbuch Gesamtausgabe” ("complete timetable"), a very thick timetable book, was published but its contents are now available on the Deutsche Bahn website [9] and CD ROM.
His enthusiasm for origami has led him to become involved with origami associations around the world. JOAS (Japanese Origami Academic Society) Board of Directors President; Board member of NOA (Nippon Origami Association); lifetime member of OrigamiUSA, member of British Origami Society and Chief Editor of "Origami Tanteidan" magazine.