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"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross.
The track is based on a sample of Marvin Gaye and Tammi Terrell's 1967 Motown hit "Ain't No Mountain High Enough". They had begun performing their act in small, intimate venues, such as Feinstein's at the Regency in New York and the Rrazz Room in San Francisco, and in January 2009, they released a CD and DVD of their live performances titled ...
Ain't No Mountain High Enough: A Tribute to Hitsville U.S.A. is the 22nd studio album by Michael Bolton. It features recordings of songs originally made famous by various artists during the Motown era. It became his highest charting studio album in the US since 2002.
United is a studio album by the soul musicians Marvin Gaye and Tammi Terrell, released August 29, 1967 on the Motown-subsidiary label Tamla Records. [2] Harvey Fuqua and Johnny Bristol produced all of the tracks on the album, with the exception of "You Got What It Takes" (produced by Motown CEO Berry Gordy, Jr.) and "Oh How I'd Miss You" (produced by Hal Davis). [3]
Supertonic: Mixes is the second remix album by American singer Diana Ross, released on May 29, 2020, by Universal Music and Motown Records.The album was produced by Eric Kupper.
"Ain't Nobody" is a song by American funk band Rufus and American singer Chaka Khan. It was released on November 4, 1983, by Warner Bros. , as one of four studio tracks included on their live album, Stompin' at the Savoy (1983).
In an October interview with Billboard, Shaboozey — born Collins Obinna Chibueze — spoke about his unique stage moniker, inspired by a high school football coach's misspelling of his last name.
Diana Ross is the debut solo studio album by American singer Diana Ross, released on June 19, 1970 by Motown Records.The ultimate test to see if the former Supremes frontwoman could make it as a solo act, the album was overseen by the songwriting-producing team of Nickolas Ashford & Valerie Simpson, who had Ross re-record several of the songs the duo had recorded on other Motown acts.