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"Three Chords and the Truth" was co-written by Sara Evans, Ron Harbin, and Aimee Mayo. The latter songwriter would later be a frequent collaborator with Evans. [2] [failed verification] The song's plot focuses on lost love and the narrator reconciling with her partner. The song references the famous description of country music by Harlan Howard.
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
The Manchester Rambler", also known as "I'm a Rambler" and "The Rambler's Song", is a song written by the English folk singer Ewan MacColl in 1932. It was inspired by his participation in the Kinder trespass , a protest by the urban Young Communist League of Manchester , and was the work that began MacColl's career as a singer-songwriter.
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
"Two of a Kind, Workin' on a Full House" is a song co-written by Warren Haynes, Dennis Robbins, and Bobby Boyd. It was originally recorded by Robbins himself in 1987 for MCA Records and charted at number 71 on the Billboard country charts.
In the song, the narrator recounts a young woman escaping from an emotionally abusive relationship. [3] Regarding the second verse, wherein the husband finds "a note by the window / and the curtains blowin' in the breeze," the authors of the book My Country Roots wrote the song's conclusion could be interpreted to indicate the woman either escaped or committed suicide.
[2] [3] These songs of different titles are closely related, and two strands in particular became popular in commercial country music and folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The ...
Reviewed in Disc, "In the Country" was described as "so hideously catchy everyone will be bouncing off the walls to it, whether they want to or not". [3] Peter Jones for Record Mirror wrote that it was "a very strong song" with "the Shads contributing the vocal wordlessness behind Cliff, who fair swings through a rather typical show tune. Has ...