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Historical realism is a writing style or sub-genre of realistic fiction centered around historical events and time periods. In historical realism, the structure and context of a text is usually solely derived from a real historical event or time period.
This body of writing is also known as "sentimental fiction" or "woman's fiction". The genre is mainly reflected in the novel though short-stories and non-fiction works such as Harriet Beecher Stowe 's "Our Country Neighbors" and The New Housekeeper's Manual written by Stowe and her sister Catharine Beecher are works of domestic realism.
Poetic realism films are "recreated realism", stylised and studio-bound, rather than approaching the "socio-realism of the documentary". [2] They usually have a fatalistic view of life with their characters living on the margins of society, either as unemployed members of the working class or as criminals.
Ethnographic realism, either a descriptive word, i.e. of or relating to the first-hand participant-observation practices of ethnographers, or a writing style or genre that narrates in a similar fashion. Legal realism, the view that jurisprudence should emulate the methods of natural science, i.e., rely on empirical evidence
Liszt was noted for his romantic realism, free tonality, and program-music as an adherent of the New German School. [19] Historians also cite how totalitarian dictators choose romantic realism as the music for the masses. [20] It is said that Adolf Hitler favored Parsifal while Joseph Stalin liked Wolfgang Amadeus Mozart's piano concertos. [20]
Renaissance literature refers to European literature which was influenced by the intellectual and cultural tendencies associated with the Renaissance.The literature of the Renaissance was written within the general movement of the Renaissance, which arose in 14th-century Italy and continued until the mid-17th century in England while being diffused into the rest of the western world. [1]
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Hysterical realism [1] is a term coined in 2000 by English critic James Wood to describe what he sees as a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the one hand, and careful, detailed investigations of real, specific social phenomena on the other.