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Duke Ellington – piano; Willie Cook, Fats Ford, Ray Nance, Clark Terry - trumpet; Lawrence Brown, Booty Wood, Britt Woodman - trombone; Juan Tizol - valve trombone; Jimmy Hamilton - clarinet, tenor saxophone
A. Antonio Maria Abbatini; Carl Friedrich Abel; Ludwig Abel; Nicanor Abelardo; Johann Joseph Abert; Abing; Girolamo Abos; Maurice Abrahams; Kornél Ábrányi; Franz Abt
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IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Leonhard von Call (19 March 1767 – 19 February 1815), sometimes referred to as "Leonhard de Call", was an Austrian composer and virtuoso on the mandolin and guitar. [ 1 ] [ 2 ] [ 3 ] During his lifetime he focused less on performing and more upon teaching and writing music for others to play. [ 1 ]
The other three pieces were set for full orchestra, but Shepherd Boy was arranged for strings alone. Grieg slightly altered the order of the numbers in the orchestral suite by swapping No. 4 Notturno with No. 3 March of the Dwarfs. The final order is: 1. Shepherd Boy; 2. Norwegian March; 3. Notturno (originally No. 4) 4. March of the Dwarfs ...
The first march is called "Seventeen Come Sunday", the Intermezzo is subtitled "My Bonny Boy" and the final movement is based on four "Folk Songs from Somerset". It originally had a fourth movement, "Sea Songs", which was played second, but the composer removed it after the first performance and published it separately, with his own orchestration.
The role of the Empress calls for a dramatic soprano who can support a very high tessitura and negotiate an act 1 entrance aria including coloratura passages, a trill, and a high D. Similarly, any tenor attempting the Emperor must be able to handle numerous passages in his uppermost range, particularly his extended solo scene in act 2.