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Coldplay collaborated with Australian-British singer Kylie Minogue (pictured in 2018) for charity single "Lhuna" in 2008. Coldplay worked with producer Brian Eno (pictured in 2015) for the albums Viva la Vida or Death and All His Friends and Mylo Xyloto. "Lost+", a remix of "Lost!" features vocals from rapper Jay-Z (pictured in 2010).
Coldplay also became the first British band to debut atop Billboard Hot 100, with "My Universe". [25] Their tenth album, Moon Music (2024), was the fastest seller of the 2020s decade by group on the UK Albums Chart , [ 26 ] extending their streak of most number-one albums without missing the top (10).
13 years after “Viva La Vida” became Coldplay’s first #1 song in both the U.S. and the U.K., the band returned to the top of the Hot 100 in the most calculated way possible – by ...
The Billboard Hot 100 is a chart that ranks the best-performing songs of the United States. Published by Billboard magazine, the data are compiled by Nielsen SoundScan based collectively on each single's weekly physical and digital sales, airplay, and, since 2012, streaming.
Topics about Coldplay songs in general should be placed in relevant topic categories Pages in category "Coldplay songs" The following 93 pages are in this category ...
100 Greatest Songs of All Time 64 [72] Rock and Roll Hall of Fame: 2011 The Songs That Shaped Rock and Roll: Placed [73] Rolling Stone: 2011 100 Best Songs of the 2000s 34 [74] RTÉ Gold: 2023 Top 100 First Hits 46 [75] Select: 2000 Best Songs of 2000 1 [76] The Telegraph: 2018 100 Pop Songs That Defined the Noughties 4 [77] The Village Voice: 2001
Music critics praised the song's piano melody, and it went on to win Record of the Year at the 2004 Grammy Awards. "Clocks" is considered to be one of Coldplay's signature songs, and is often ranked among the greatest songs of the 2000s and of all time. In 2010, the single was placed at 490th on Rolling Stone's "500 Greatest Songs of All Time ...
"Speed of Sound" is a song by British rock band Coldplay. It was written by all members of the band for their third studio album, X&Y (2005). Constructed around a piano and guitar riff, the song builds into a huge, synthesiser-heavy chorus.