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"Hosanna/Hosaanaa" is a Tamil/Telugu/Hindi song from the 2010 Tamil film Vinnaithaandi Varuvaayaa,Telugu film Ye Maaya Chesave and 2012 Hindi film Ekk Deewana Tha composed by A. R. Rahman, sung by Vijay Prakash and Suzanne D'Mello featuring Tamil lyrics by Thamarai, and the rap portion in all versions by Blaaze.
The official audio of Vinnaithaandi Varuvaayaa was released at the BAFTA Awards held at London on 25 December 2009, which was attended by several film personalities, including the lead actors Silambarasan and Trisha, composer A. R. Rahman, lyricist Thamarai, director Gautham Vasudev Menon amongst others attending the event, which also featured a live unplugged performance.
A. R. Rahman made his debut in Indian Music Industry with the 1992 Tamil film Roja.In his three decade long career, he has composed and produced original scores and songs for more than 145 films in various languages, namely Tamil, Hindi, Telugu, Malayalam, English, Persian and Mandarin.
Saibal Chatterjee at NDTV noted, "AR Rahman’s outstandingly lively and eclectic musical score presents a wide range of sounds blended into a harmonious whole." [17] Nikhat Kazmi of The Times of India reviewed the score as, "The music by AR Rahman are stuff classics are made of. Of course, Sadda Haq is the youth anthem by now, but there are so ...
Ar-Rahman [1] (Arabic: ٱلرَّحْمَانِ, romanized: ar-raḥmān; meaning: the Merciful; [2] Most Gracious; [3] Most Merciful [4]) is the 55th Chapter of the Qur'an, with 78 verses; . The Surah was revealed in Mecca and emphasizes themes of mercy, creation, and the relationship between Allah and humanity, making it a significant chapter ...
It is applied in numerous verses of the New Testament, including "Hosanna! blessed is the one who comes in the name of the Lᴏʀᴅ!" (Matthew 21:9,15; Mark 11:9–10; John 12:13), which forms part of the Sanctus prayer; "hosanna in the highest" ; and "hosanna to the Son of David" .
Singappenney starts with a flute prelude as Rahman and a choir from Rahman's musical group Qutub-E-Kripa singing the first line 'Maadhare' (Eng: Women) followed by beats performed by musician Vuvuri Kumar and a guitar by veteran musician Keba Jeremiah. [6] The song proceeds with vocals provided by children as Rahman sings the hook.
[29] At the India-West critic R. M. Vijayakar criticised the songs and score stating, "A.R. Rahman's score has little purpose and is devoid of melody, meaning or substance, and Amitabh Bhattacharya is at his worst in his lyrics as well – sample meaningless words, especially the offensive "Mawwaali Qawwaali", which is an item song on an almost ...