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"Ode on a Grecian Urn" is a lyric ode with five stanzas containing 10 lines each. The first stanza begins with the narrator addressing an ancient urn as "Thou still unravished bride of quietness!", initiating a conversation between the poet and the object, which the reader is allowed to observe from a third-person point of view. [8]
In a letter to his brother dated 19 March 1819, Keats discussed indolence as a subject. He may have written the ode as early as March, but the themes and stanza forms suggest May or June 1819; when it is known he was working on " Ode on a Grecian Urn ", " Ode on Melancholy ", " Ode to a Nightingale " and " Ode to Psyche ".
The following conventions are used: Cognates are in general given in the oldest well-documented language of each family, although forms in modern languages are given for families in which the older stages of the languages are poorly documented or do not differ significantly from the modern languages.
"Ode on a Grecian Urn" is organized into ten-line stanzas, beginning with an ABAB rhyme scheme and ending with a Miltonic sestet (1st and 5th stanzas CDEDCE; 2nd, 3rd, and 4th stanzas CDECDE). The same overall pattern is used in "Ode on Indolence", "Ode on Melancholy", and "Ode to a Nightingale" (though their sestet rhyme schemes vary), which ...
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The Well Wrought Urn: Studies in the Structure of Poetry is a 1947 collection of essays by Cleanth Brooks. It is considered a seminal text [ 1 ] in the New Critical school of literary criticism . The title contains an allusion to the fourth stanza of John Donne 's poem, " The Canonization ", which is the primary subject of the first chapter of ...
An urn is a vase-like container. Urn may refer to: Urn problem of probability theory; Urn, an album by Ne Obliviscaris; The acronym URN may refer to: Uganda Radio Network, a Ugandan news agency; Uniform Resource Name, an Internet identifier; Unique Reference Number, an identifier of UK schools; University Radio Nottingham, England
For example, Polish alexandrine (13) is almost always divided 7+6. It has been very common in Polish poetry for last five centuries. But the metre 13(8+5) occurs only rarely and 13(6+7) can be hardly found. In Polish accentual-syllabic verse caesura is not so important but iambic tetrametre (very popular today) is usually 9(5+4). [11]