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The "Sakura Sakura" melody has been popular since the Meiji period, and the lyrics in their present form were attached then. [citation needed] The tune uses a pentatonic scale known as the in scale (miyako-bushi pentatonic scale) and is played in quadruple meter and has three parts (ABBAC) which stretch over 14 bars (2 + 4 + 4 + 2 + 2).
Gondola no Uta (ゴンドラの唄, "The Gondola Song") is a 1915 romantic ballad [1] that was popular in Taishō period Japan.Lyrics were written by Isamu Yoshii, melody by Shinpei Nakayama.
"Chiisana Koi no Uta" (Japanese: 小さな恋のうた, lit. A Small Love Song) is a song written and performed by the Japanese punk band Mongol800. It is featured on their second studio album Message which was released on September 16, 2001, in Japan. The song's lyrics is about the love between a boy and a girl who has grown up on a small island.
Soba ni Iru ne (そばにいるね, I'm by Your Side) is a song recorded by Japanese singer Thelma Aoyama featuring Japanese rapper SoulJa, released on January 23, 2008, via Universal J. It is an answer song to her previous collaboration with SoulJa , "Koko ni Iru yo."
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Shima-uta (シマウタ, しまうた, 島歌, 島唄) is a genre of songs originating from the Amami Islands, Kagoshima Prefecture of southwestern Japan.It became known nationwide in the 2000s with the success of young pop singers from Amami Ōshima such as Hajime Chitose and Atari Kōsuke.
' Being a Thousand Winds ') is a single by Japanese singer Masafumi Akikawa. The lyrics are a Japanese translation of the poem, 'Do Not Stand at My Grave and Weep'. It was released on May 24, 2006. It reached number one on the weekly Oricon Singles Chart. [1] It was the best-selling single in Japan in 2007, with 1,115,499 copies. [2]
The lyrics for Roei no Uta were chosen in such a fashion, after a contest jointly held by the Tokyo Nichi Nichi Shimbun and Osaka Mainichi Shimbun. The jury, which included the writer Kan Kikuchi and the poet Hakushū Kitahara , awarded Kīchirō Yabūchi's Roei no Uta as the winning entry.