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The use of the term "alto" to describe solo voices is mostly seen in contemporary music genres (pop, rock, etc.) to describe singers whose range is lower than that of a mezzo-soprano but higher than that of a true contralto, and is very rarely seen in classical music outside of soloists in choral works. In classical music, most women with an ...
For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4]
alto High; often refers to a particular range of voice, higher than a tenor but lower than a soprano alzate sordini Lift or raise the mutes (i.e. remove mutes) am Steg (Ger.) At the bridge (i.e. playing a bowed string instrument near its bridge, which produces a heavier, stronger tone); see sul ponticello amabile Amiable, pleasant ambitus
Deller initially identified as an "alto", but his collaborator Michael Tippett recommended the archaic term "countertenor" to describe his voice. [7] In the 1950s and 60s, his group, the Deller Consort, was important in increasing audiences' awareness (and appreciation) of Renaissance and Baroque music. Deller was the first modern countertenor ...
A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
In other words, choral music was designed to be broken down into four vocal sections and it is the sections themselves that are labeled soprano, alto, tenor, and bass, not the individual singers. [5] For example, most women that sing the alto line in choirs would be considered mezzo-sopranos in opera due to their vocal timbre and their ...
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
Falsetto is occasionally used by early music specialists today and regularly in British cathedral choirs by men who sing the alto line. [ 14 ] There is a difference between the modern usage of the " head voice " term and its previous meaning in the renaissance as a type of falsetto, according to many singing professionals.