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Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
T-bar sandals, primarily for children, with an enclosed heel and toe. It is fastened by a cross-wise strap or bar secured by a buckle, or more recently by Velcro. A length-wise strap extends from the vamp and joins the cross-strap over the arch of the foot to form a T shape. A common variant has two cross-straps.
Pattens were worn outdoors over a normal shoe, had a wooden or later wood and metal sole, and were held in place by leather or cloth bands. Pattens functioned to elevate the foot above the mud and dirt (including human effluent and animal dung) of the street, in a period when road and urban paving was minimal. Women continued to wear pattens in ...
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Slingback straps are usually adjustable through a buckle or an elastic segment, allowing the wearer to slip their foot into the sandal easily without the need to make further (or any) manual adjustment to the strap or buckle, while still holding the foot in the sandal relatively securely. The buckle can be made of metal, plastic, or even ...
Hippie clothing during this time was made in extremely bright colors, [18] as well as Indian patterns, Native American patterns, and floral patterns. [ 19 ] Women's hippie accessories of the early 1970s included chokers, dog collars, handcrafted neck ornaments, and accessories made from natural elements like wood, shells, stones, feathers ...
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The shoes were dyed red, and burgundy sequined organza overlays were attached to each shoe's upper and heel. The film's early three-strip Technicolor process required the sequins to be darker than most modern red sequins; bright red sequins would have appeared orange on screen. [9]
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