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The four Tezcatlipocas were the sons of Ometecuhtli and Omecihuatl, lady and lord of the duality, and were the creators of all the other gods, as well as the world and all humanity. The rivalry between Quetzalcoatl and Tezcatlipoca is also recounted in the legends of Tollan , wherein Tezcatlipoca deceives Quetzalcoatl, ruler of the legendary ...
Other victims were fastened to a frame and put to death with arrows; their blood dripping down was believed to symbolize the fertile spring rains. A hymn sung in honour of Xipe-Totec called him Yoalli Tlauana ("Night Drinker") because beneficent rains fell during the night; it thanked him for bringing the Feathered Serpent , who was the symbol ...
Tepoztēcatl, described in the Codex Borgia. In Aztec mythology, Tepoztēcatl [teposˈteːkat͡ɬ] (from tepoztli "workable metal" [teˈpost͡ɬi] and tēcatl "person" [ˈteːkat͡ɬ]) or Tēzcatzontēcatl [teːskat͡sonˈteːkat͡ɬ] (from tēzcatl [teːskat͡ɬ] "mirror", tzontli "four hundred" [ˈt͡sont͡ɬi] and tēcatl "person" [ˈteːkat͡ɬ]) was the god of pulque, of drunkenness and ...
A great party-giver, he also was alleged to create wars among humans to relieve his boredom. He was a part of the Tezcatlipoca (Smoky Mirror) family of the Mexica gods and inherited their shapeshifting powers. Those who had indications of evil fates from other gods would sometimes appeal to Huehuecóyotl to mitigate or reverse their fates.
According to the Annals of Cuauhtitlan, after Topiltzin Quetzalcoatl died, he spent four days in Mictlan making darts before emerging as the morning star. The Annals list his victims according to the days of the Aztec calendar: old people on 1 Alligator; small children on 1 Jaguar, 1 Deer and 1 Flower; nobles on 1 Reed; everybody on 1 Death ...
Nahuatl terms of the four shamans who stayed at Tamoanchan are not gendered with the exception of Oxomoco who was female. [6] In the Codex Borbonicus, Oxomoc, like Cipactonal, usually wears the tobacco gourd of priests on her back. [7] In some depictions the goddess is wearing a butterfly mask and throwing maize and beans from a vessel. [8]
Possible depiction of the Centzon Tōtōchtin in the Florentine Codex. In Mexica mythology, the Centzon Tōtōchtin (Nahuatl pronunciation: [sent͡son toːˈtoːt͡ʃtin] "four-hundred rabbits"; also Centzontōtōchtin) are a group of divine rabbits who meet for frequent drunken parties.
Sahagún points out that their voices "rang like a bell". [9] While the women sang and danced, the men and elders directed the dancers. The dancers wore garlands of iztauhyatl, the flower artemisia , while those watching the festival carried the flower. [ 1 ]