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Punctuation can be used to introduce ambiguity or misunderstandings where none needed to exist. One well known example, [17] for comedic effect, is from A Midsummer Night's Dream by William Shakespeare (ignoring the punctuation provides the alternate reading).
Hansen's father William G Hansen, who was a son of immigrants from Denmark, was a hardware store owner in Fresno, California. He encouraged his son's early talent in mathematics and enthusiasm for electronics. He entered Stanford University at the age of 16, earning his B.A. in 1929 and his Ph.D. in 1933. [2] [3]
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Ben Levi Ross and Taylor Trensch, both of whom took over the role of Evan Hansen on stage in the Broadway production, released a special "same-sex" cover of the song on February 14, 2019, in honor of Valentine's Day. [9] In April 17, 2020, Bella Ramsey and Jacob Fowler released a cover of the song. [10]
In the example sentences above, examples #1 and #2 are both grammatical and share the same meaning in French. Here, the choice of using one form of question over the other is optional; either sentence can be used to ask about the two particular DP constituents expressed by two wh-words. [ 34 ]
The second article is a condensed and simplified version of Professor Ross’ "Linguistic Class-Indicators in Present-Day English", [10] which appeared in 1954 in the Finnish philological periodical Neuphilologische Mitteilungen. For him the English class-system was essentially tripartite — there exists an upper, a middle, and a lower class.
The penthouse principle, a term in syntax coined by John R. Ross in 1973, describes the fact that many syntactic phenomena treat matrix (or main) clauses differently from embedded (or subordinate) clauses: The penthouse principle: The rules are different if you live in the penthouse.
The Rest Is Noise: Listening to the Twentieth Century is a 2007 nonfiction book by the American music critic Alex Ross, first published by Farrar, Straus and Giroux. [1] It recounts the history of European and American music, starting in 1900, and highlights many examples. [2]
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