Search results
Results from the WOW.Com Content Network
Official website; Borghese.Gallery – created by Roman experts. Amor sacro e amor profano (Sacred and Profane Love) Description of the painting. Architecture and gardens on the Villa Borghese or Casino; Reviews of Galleria Borghese; Satellite photo — the Galleria Borghese is the villa in the center of the photograph surrounded by landscaped ...
Cardinal Scipione Borghese also bought widely from leading painters and sculptors of his time, and Scipione Borghese's commissions include two portrait busts by Gian Lorenzo Bernini. [1] [2] Most of the collection remains intact and on display at the Galleria Borghese , although a significant sale of classical sculpture was made under duress to ...
David with the Head of Goliath is a painting by the Italian Baroque artist Caravaggio.It is housed in the Galleria Borghese, Rome. [1] The painting, which was in the collection of Cardinal Scipione Borghese [a] in 1650, [3] has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former.
Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums (see Galleria Borghese) and attractions. It is the third-largest public park in Rome (80 hectares or 197.7 acres), after the ones of the Villa Doria Pamphili and Villa Ada .
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Borghese entertained guests in the open loggia on the second floor, where Giovanni Lanfranco painted a large ceiling fresco in quadratura The Gods of Olympus also called Council of the Gods. Stone benches, Borghese Balustrade. The Borghese Balustrade was crafted by G di Gincome and P. Massoni in 1618 for the south forecourt of the Casino Nobile ...
The statue's finger points out, as if to acknowledge the viewer. The statue in the Galleria Borghese is the most celebrated version of La Zingarella; however, there is another version of the statue by Nicolas Cordier in the Louvre. [5] Visconti described the statue as Diana, detto volgarmente la Zingarella. [6]
Art writers noted several elements of the painting as dominant, either visually or thematically. Moir, for example, notes the key role that the contrast between light and shadow plays in the composition: a window placed high on the left allows a ray of light to penetrate the room, illuminating, as it slides over the wall, the boy, the lush fruit basket, the shirt sleeve, the sensual bare ...