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Psalm 119 is one of about a dozen alphabetic acrostic poems in the Bible. Its 176 verses are divided into twenty-two stanzas, one stanza for each letter of the Hebrew alphabet; within each stanza, each of the eight verses begins (in Hebrew) with that letter. [18] The name of God (Yahweh/Jehovah) appears twenty-four times.
The Psalm is an acrostic Hebrew poem, and with Psalm 10 forms a single combined work. Old Testament scholar Hermann Gunkel divided Psalm 9 as follows: [5] Verses 2-3: hymn-like opening song of thanksgiving; Verses 4-5: main piece of the peace song; Verse 6-17: transition to an eschatological hymn
Relatively simple acrostics may merely spell out the letters of the alphabet in order; such an acrostic may be called an 'alphabetical acrostic' or abecedarius.These acrostics occur in the Hebrew Bible in the first four of the five chapters of the Book of Lamentations, in the praise of the good wife in Proverbs 31:10-31, and in Psalms 9-10, 25, 34, 37, 111, 112, 119 and 145. [4]
Psalm 37 is the 37th psalm of the Book of Psalms, beginning in English in the King James Version: "Fret not thyself because of evildoers, neither be thou envious against the workers of iniquity". The Book of Psalms is part of the third section of the Hebrew Bible , and a book of the Christian Old Testament .
The psalm, attributed to David, has the form of an acrostic Hebrew poem. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and Nonconformist Protestant liturgies. Metrical hymns in English and German were derived from the psalm, such as "Zu dir, o Gott, erheben wir". The psalm has often been set to music.
Vers 12-22: didactic poem 1; Vers 13-15: Question - answer: Vers 16-22: Collection of wise sayings. It is an acrostic poem in the Hebrew alphabet, with each letter beginning a verse in sequential order; the lone exception is waw (ו ), which begins the second clause of verse six. The first and last verses are outside the acrostic scheme.
Additionally, an acrostic poem titled Shouting at the Past by Benbo Smith, explores themes of silence and the loss of hearing. It draws a parallel to William Blake's London, using the acrostic "H.E.A.R." to highlight the soundscape of Blake's London, where societal conditions create a noisy, oppressive environment. The poem conveys the tension ...
It was also published in Thomas Ollive Mabbott's definitive Collected Works of Edgar Allan Poe in 1969 as "An Acrostic". The poem mentions "Endymion", possibly referring to an 1818 poem by John Keats with that name. The "L. E. L." in the third line may be Letitia Elizabeth Landon, an