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L'abandon d'Ariane, Darius Milhaud, 1928; Abu Hassan, Carl Maria von Weber, 1811; Acante et Céphise, Jean-Philippe Rameau, 1751; Achille et Polyxène, Jean-Baptiste Lully, Pascal Collasse, 1687
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Agnes Sorel (opera) Alban (opera) Albert Herring; Albion and Albanius; Alfred (Arne opera) Alice in Wonderland (opera) Alice's Adventures Under Ground (opera) Amahl and the Night Visitors; The Amber Witch (opera) Amelia (opera) Amelia Goes to the Ball; An American Soldier (opera) An American Tragedy (opera) Amilie, or the Love Test; Angel's ...
His opera Artaxerxes (1762) was the first attempt to set a full-blown opera seria in English and was a huge success, holding the stage until the 1830s. His modernized ballad opera, Love in a Village (1762), was equally novel and began a vogue for pastiche opera that lasted well into the 19th century. Arne was one of the few English composers of ...
Savoy opera: English: 19th-century form of operetta [31] (sometimes referred to as a form of "comic opera" to distance the English genre from the continental) comprising the works of Gilbert and Sullivan and other works from 1877 to 1903 that played at the Opera Comique and then the Savoy Theatre in London. These influenced the rise of musical ...
George Frideric Handel's operas comprise 42 musical dramas that were written between 1705 and 1741 in various genres.Though his large scale English language works written for the theatre are technically oratorios and not operas, several of them, such as Semele (1744), have become an important part of the opera repertoire.
Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes
Opera originated in Italy at the end of the 16th century (with Jacopo Peri's mostly lost Dafne, produced in Florence in 1598) especially from works by Claudio Monteverdi, notably L'Orfeo, and soon spread through the rest of Europe: Heinrich Schütz in Germany, Jean-Baptiste Lully in France, and Henry Purcell in England all helped to establish their national traditions in the 17th century.