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Counterweighted boom stands. Zero-offset boom stands. Multiple boom stands. The hi-hat stand is a stand for supporting and operating a pair of clash cymbals; The term cymbal stand in English does not normally include this specialised stand. As well as cymbals, cymbal stands are used to support many other small percussion instruments, and ...
Tom-tom and cymbal stands may have a "boom arm" attached to extend holder reach, and a "tilter" to move instruments into a desired position. Smaller "clamp holders" may also be used to attach more instruments to existing stands. Drum "racks" are stands surrounding a drum kit onto which percussion instrument holders may be clamped.
It also lets musicians have the microphone closer to the sound source when floor space is at a premium. This can be particularly useful when placing microphones on a drum stand when the microphone stands must compete for space with things like cymbal stands. Boom arms are offered both in fixed length and adjustable (telescoping) lengths.
A stamp from a 1950s-era Bellotti Cymbal. Bellotti was a small Italian cymbal workshop that produced cymbals from the 1950s until the 1970s. [2]Because so few of these vintage cymbals exist on the market today (they are much less prevalent that some other vintage Italian contemporaries, such as Zanchi), Bellotti remains one of the more obscure names in cymbal manufacturers.
The splash cymbal, because of its varied usage and small size, is mounted in many ways. Some common ways are: On a separate boom stand. This can be of relatively light construction without a counterweight owing to the light weight of the cymbal. On an auxiliary boom attached to a stand used principally to support a drum or another, larger cymbal.
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In 1974 Meinl was the first cymbal company to offer pre-pack cymbal sets. [2] Meinl's initial cymbal production focused on low-budget cymbals, and it wasn't until 1984 with the "Profile Series" that Meinl started to really focus on professional-level cymbals. [3] The first Meinl pro series was the "King-Beat Series", introduced in 1976. [2]
A boom operator onboard a JL Fisher camera dolly with boom pole fully extended A "dead wombat" or "dead cat" (left) and "dead kitten" (right) wind-attenuating microphone covers Often in television studios, the boom operator will use a Fisher boom, which is a more intricate and specialized piece of equipment on which the operator stands ...
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