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Twiggy was soon seen in all the leading fashion magazines, commanding fees of £80 an hour, bringing out her own line of clothes called "Twiggy Dresses" in 1967, [27] and taking the fashion world by storm. [28] "I hated what I looked like," she said once, "so I thought everyone had gone stark raving mad."
She wore a "Renaissance" evening dress featuring printed textiles based on 1520s Hans Holbein drawings to the Daily Mirror's Fashion Celebrity Dinner in 1970. [8] Another gown made from various patterned textiles that Twiggy wore to the 1971 film première of The Boy Friend drew a great deal of media attention. [4] [5] [9] Late 1970s gown by ...
Women were inspired by the top models of those days, such as Twiggy, Jean Shrimpton, Colleen Corby, Penelope Tree, Edie Sedgwick and Veruschka. Velvet mini dresses with lace-collars and matching cuffs, wide tent dresses and culottes pushed aside the geometric shift. False eyelashes were in vogue, as was pale lipstick.
The first of Miss Selfridge's mannequins were based on 1960s icon and model Twiggy, and the first dresses were paper dresses designed to be worn once and then thrown away, by Sylvia Ayton and Zandra Rhodes. [4] Couturier Pierre Cardin was also commissioned by Miss Selfridge to design four exclusive collections a year.
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Barry Lategan (7 January 1935 – 11 August 2024) was a South Africa-born fashion, editorial and commercial photographer, best known for his discovery of, and early work with, Twiggy [1] [2] [3] and for British Vogue and Italian Vogue.
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