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The Realistic Concertmate MG-1 is an analog synthesizer co-developed by Tandy and Moog Music as a basic, low-priced synthesizer to be sold by Radio Shack under their "Realistic" brand. With estimated unit sales of 23,000 from 1982 to 1983, the MG-1 became the best-selling synthesizer ever manufactured by Moog Music, [ 2 ] and is one of the most ...
The Realistic name carried on into 1994 as the rest of the Tandy-produced stock was slowly being sold off. In that year, all outsourced audio equipment formerly bearing the Realistic name would carry the Radio Shack name, and the video equipment was renamed to Optimus, another private label audio equipment brand sold by the company since 1967.
In 2014, a 41-CD boxed set of Stereo Concert Series classical albums was released, [7] and in 2017 another 40-CD box set of soundtrack and Easy listening/popular recordings, called Spectacular: Nice 'n' Easy. A space themed version, An Astromusical Odyssey, was arranged by Johnny Keating which included songs from the late 1960s to the early 1970s.
Mike Millard (May 18, 1951 – November 29, 1994), [1] nicknamed "Mike The Mic" was an avid concert taper circa 1973 to 1994, recording over 300 concerts, including Led Zeppelin, Pink Floyd and the Rolling Stones concerts in California. [2] He taped virtually every show at the Forum from 1974 to 1980.
The result was the 3M Digital Audio Mastering System, which consisted of a 32-track deck (16-bit, 50 kHz audio) running 1-inch tape and a 4-track, 1/2-inch mastering recorder. 3M's 32-track recorder was priced at $115,000 in 1978 (equivalent to $537,000 in 2023).
The analogue version performs 5 x 60 Watt sinus, the digital Class-D-amplifier 5 x 200 Watt sinus. The M-series was extended in 2006 by the M10, a 19“ rack solution as central nerve and source centre and in 2010 by the M100, an audiophile Hifi-stereo amplifier with 2 x 200 Watt sinus power, FM-tuner and DVD-drive in an extremely compact housing.
Stereo-4, also known as EV (from Electro-Voice) or EV-4, was a matrix 4-channel quadraphonic sound system developed in 1970 by Leonard Feldman and Jon Fixler. [ 1 ] The system was heavily promoted by RadioShack stores in the United States, and some record companies released LP albums encoded in this format.
Schematic drawing of the Grateful Dead's wall of sound. Stanley and Dan Healy and Mark Raizene of the Grateful Dead's sound crew, in collaboration with Ron Wickersham, Rick Turner, and John Curl of Alembic designed the sound reinforcement system in an effort to deliver high-quality sound to attendees of Grateful Dead concerts, which were drawing crowds of 100,000 or more at the time.