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The Realistic Concertmate MG-1 is an analog synthesizer co-developed by Tandy and Moog Music as a basic, low-priced synthesizer to be sold by Radio Shack under their "Realistic" brand. With estimated unit sales of 23,000 from 1982 to 1983, the MG-1 became the best-selling synthesizer ever manufactured by Moog Music, [ 2 ] and is one of the most ...
The brand began in 1954 after Radio Shack management were approached by stereo newcomer Harman Kardon, who offered to help create a line of private label audio equipment for the company. The original brand name, Realist, was pitched by the manufacturer and approved by Radio Shack. The first Realist-branded products - an FM receiver, an AM ...
Built in AM/FM radio, keyboard and dual cassette decks. [232] DJ 1 32 mini Successor to RAP-1, with added cassette deck and second platter controller. DM 100 1985? 49/32 mini 210 Double deck sampling keyboard (mt-240 below with the 210 tone bank and a sk1 above). GZ 5 32 mini 0 AA (x4) out Midi master keyboard only.
Audio restoration can be performed directly on the recording medium (for example, washing a gramophone record with a cleansing solution), or on a digital representation of the recording using a computer (such as an AIFF or WAV file). Record restoration is a particular form of audio restoration that seeks to repair the sound of damaged ...
Unfortunately, the catalogue lists the synth as "The Realistic/Moog* Polyphonic Synthesizer" at the top of the page, but then lists it as "Realistic MG-1 Synthesizer by Moog" in the first sentence of the product description. The rest of the page refers to it as "Realistic MG-1 Synthesizer" or just "MG-1"; Moog isn't mentioned anywhere else.
Peter Otto, center, the Nashville Symphony’s new concertmaster, stands facing the crowd during the performance of "Encanto" Saturday, March 16, 2024, at Schermerhorn Symphony Center.
Mike Millard (May 18, 1951 – November 29, 1994), [1] nicknamed "Mike The Mic" was an avid concert taper circa 1973 to 1994, recording over 300 concerts, including Led Zeppelin, Pink Floyd and the Rolling Stones concerts in California. [2] He taped virtually every show at the Forum from 1974 to 1980.
Sound reinforcement in a large format system typically involves a signal path that starts with the signal inputs, which may be instrument pickups (on an electric guitar or electric bass) or a microphone that a vocalist is singing into or a microphone placed in front of an instrument or guitar amplifier.
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