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An after action report (or AAR) is any form of retrospective analysis on a given sequence of goal-oriented actions previously undertaken, generally by the author themselves. The two principal forms of AARs are the literary AAR, intended for recreational use, and the analytical AAR, exercised as part of a process of performance evaluation and ...
The term "distant reading" is generally attributed to Franco Moretti and his 2000 article, Conjectures on World Literature. [1] In the article, Moretti proposed a mode of reading which included works outside of established literary canons, which he variously termed "the great unread" [2] and, elsewhere, "the Slaughterhouse of Literature". [3]
A literature review is an overview of previously published works on a particular topic. The term can refer to a full scholarly paper or a section of a scholarly work such as books or articles. Either way, a literature review provides the researcher /author and the audiences with general information of an existing knowledge of a particular topic.
A book review is a form of literary criticism in which a book is merely described (summary review) or analyzed based on content, style, and merit. [1]A book review may be a primary source, an opinion piece, a summary review, or a scholarly view. [2]
Film retrospectives are usually screenings of films grouped around a theme or a particular director. They are mounted as part of many film festivals, including the Retrospective section in the Berlin International Film Festival, [1] Sundance, [2] Locarno Film Festival, [3] Byron Bay Film Festival [4] They are also held by cinemas [5] [6] or various types of organisations.
Reader-response criticism is a school of literary theory that focuses on the reader (or "audience") and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author, content, or form of the work.
Subversion and containment is a concept in literary studies introduced by Stephen Greenblatt in his 1988 essay "Invisible Bullets". [1] It has subsequently become a much-used concept in new historicist and cultural materialist approaches to textual analysis.
[1]: 24 Stories of the end also allow individuals to reflect on their own death, and to make sense of their lives, their place in time, and their relationship to the beginning and the end. Thus, having laid down this theoretical position, Kermode tracks the creation of new attempts to 'make sense of life' through literature.