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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
A white-mensural maxima with stem facing down. The maxima rest appears as two adjacent longa rests. A maxima, duplex longa, larga (in British usage: large), or octuple whole note was a musical note used commonly in thirteenth and fourteenth century music and occasionally until the end of the sixteenth century.
This category is for musical terms and terminology. Subcategories. This category has the following 8 subcategories, out of 8 total. ... Glossary of music terminology;
The British names go back at least to English renaissance music, and the terms of Latin origin had international currency at that time. Longa means 'long', and many of the rest indicate relative shortness. Breve is from Latin brevis, 'short', minim is from minimus, 'very small', and quaver refers to the quavering effect of very fast notes.
Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much: Comes after other terms; e.g. allegro ma non troppo ("not too joyful") Meno: less: Comes before other terms, such as meno mosso ("less moved/agitated") Subito: suddenly, quickly: Comes before or after other terms; e.g. subito fortissimo ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Some definitions refer to music as a score, or a composition: [18] [7] [19] music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding. According to Edward E. Gordon the process of reading music , at least for trained musicians, involves a process, called "inner hearing" or "audiation ...
Eponymous music people categories, however, generally don't contain biographical articles apart from the article on the person after which they are named, per WP:COPSEP and WP:OCEPON, as they generally should only contain articles regarding the topics for which the person is known. E.g.