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Many Ancient Greek philosophers, such as Socrates, Plato, and Aristotle, had difficulty coming up with a single definition for techne and there is differentiation between the ways that these philosophers used the term. [6] The word techne comes from the Greek word for art, skill, craft, and technique.
The ancient Greek concept of art (in Greek, "techne " —the root of "technique" and "technology"), with the exception of poetry, involved not freedom of action but subjection to rules. In Rome, the Greek concept was partly shaken, and visual artists were viewed as sharing, with poets, imagination and inspiration.
Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of Academic art in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded.
Modern Greek art, after the establishment of the Greek Kingdom, began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history.
Technically his art was primitive. His excellence lay in the beauty of his drawing of individual figures, especially in the "ethical" and ideal character of his art. A contemporary and teacher of Pheidias, Polygnotus had the same grand manner. Simplicity, which was almost childlike, sentiment at once noble and gentle, extreme grace and charm of ...
In Georg Wilhelm Friedrich Hegel's system of philosophy art is viewed as the first stage of the absolute spirit. (See also Werke, Bd. x., and Bosanquet's Introduction to Hegel's Philosophy of Fine Art.). In this stage the absolute is immediately present to sense-perception, an idea which shows the writer's complete rupture with Kant's doctrine ...
In the case of bronze, the main innovation in their history for Greek sculpture was the development of the lost wax technique but its principles were already masterfully handled in the Severe period, with a diversified application. Therefore, Classicism benefited from the fact that the main sculptural techniques had already been refined enough ...
Protagoras (/ p r oʊ ˈ t æ ɡ ər ə s,-æ s / proh-TAG-ər-əs, -ass; Greek: Πρωταγόρας; c. 490 BC – c. 420 BC) [1] was a pre-Socratic Greek philosopher and rhetorical theorist. He is numbered as one of the sophists by Plato. In his dialogue Protagoras, Plato credits him with inventing the role of the professional sophist.