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1996: You Can Play Bluegrass Mandolin Vol. 1 DVD ; 1996: You Can Play Bluegrass Mandolin Vol. 2 DVD (Homespun) 1997: Thirty Fiddle Tunes for the Mandolin CD (Homespun) 2003: Mandolin Tunes for Practice and Repertoire book/ CD (Homespun) 2004: Butch Baldassari's Bluegrass Mandolin Workshop DVD (Homespun) 2008: Mandolin Hymns CD (Homespun)
The mandolin has become a more common instrument amongst Irish traditional musicians. Fiddle tunes are readily accessible to the mandolin player because of the equivalent tuning and range of the two instruments, and the practically identical (allowing for the lack of frets on the fiddle) left-hand fingerings.
The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high). It is larger than the mandola , but smaller than the mandocello and its construction is similar to other instruments in the mandolin family.
C-G-d-a-e'-b' or G'-D-A-e-b-f ♯ ', which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range.
Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops. The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side.
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument.It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola (C 3-G 3-D 4-A 4), a fifth lower than a mandolin. [1]
Relatively well-known American folk tunes that are often played in cross-tuning include "Breaking Up Christmas," "Cluck Old Hen," "Hangman's Reel," "Horse and Buggy," and "Ways of the World." GDAE is known in some North American Old-Timey fiddling circles as "that Italian tuning," the implication being that it is only one of many possibilities ...
A less visible difference was in the tuning: the Italian mandola and smaller mandolino were tuned entirely in fourths, the mandola using e'-a'-d"-g" (or if using a 5 or 6 course instrument g-b-e'-a'-d"-g"); the French mandore used combinations of fourths and fifths, such as c-g-c-g or c-f-c-f.
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