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The Last Dance (Chinese: 破·地獄) is a 2024 Hong Kong drama film directed and written by Anselm Chan. Starring Dayo Wong, Michael Hui, Michelle Wai, and Chu Pak Hong, the film explores themes related to Hong Kong's deathcare and follows a wedding planner (Wong) who enters the funeral industry through a partnership with a traditional Taoist priest (Hui), seeking to understand the meaning of ...
Many Cantonese-language films are Hong Kong films . Subcategories. This category has the following 7 subcategories, out of 7 total. ...
Cantonese opera [4] Bachelors Beware: Evan Yang: Linda Lin Dai, Chang Yang, Kelly Lai Chen, Yu So-Chau, Lin Hui, So Fung: Mandarin Romantic Comedy [5] The Battle Between The Dragon And The Tiger: Wu Pang: The Bedside Story: Bu Wancang: The Book and the Sword (Chinese: 書劍恩仇錄) Lee Sun-fung: Cheung Ying, Siu-Yi Yung, Tsi Law-Lin, Yuet ...
2000s Cantonese-language films (300 P) 2010s Cantonese-language films (231 P) 2020s Cantonese-language films (68 P) This page was last edited on 29 December 2021 ...
中国影片大典 Encyclopaedia of Chinese Films. 1949.10-1976, 故事片·戏曲片. (2001). Zhong guo ying pian da dian: 1949.10-1976. Beijing: 中国电影出版社 China Movie Publishing House. ISBN 7-106-01508-3; 中国艺术影片编目 China Art Film Catalog (1949-1979). (1981) Zhongguo Yi Shu Ying Pian Bian Mu (1949-1979).
Lam (Kelly Chan), the daughter of a shipping magnate, meets the warm-hearted Mr. Worm (Takeshi Kaneshiro) on the street one day. Mr. Worm, a Mongol, runs a lost-and-found company and Lam enlists his help to trace a missing friend, Ted (Michael Wong), a Scottish sailor and former colleague who mysteriously disappeared months ago.
For those who instantly associate Taoist movie priests with the hopping vampires and hungry ghosts of Hong Kong’s goeng-sin horror-comedy heyday of the 1980s (like “Mr. Vampire” and “Kung ...
The title song is the film's theme song with the same name, which was a hit, using especially colloquial street Cantonese in the lyrics which was a breakthrough at that time. The use of street Cantonese was justified as the film, which depicted the working class, struck a chord with Hong Kong people after its release. [10]
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