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John Wagner has worked on a wide range of British comics most notably working on Judge Dredd and the various spin-offs. Wagner has often written under a number of pseudonyms, including John Howard, T. B. Grover and Keef Ripley.
John D. Wagner is an American author, entrepreneur and investment banker. He has written over 20 books and several articles for magazines and newspapers, particularly specializing in the areas of lumber and building materials (LBM), software and corporate finance .
John Wagner at a comic convention in New York City in 1992. From 1980 to 1988 he wrote in partnership with Alan Grant , an old friend and former D. C. Thomson and 2000 AD sub-editor with whom he was sharing an old farmhouse in Essex, although most stories were credited to Wagner alone (under one of his pseudonyms) or Grant alone – whichever ...
"Judge Death Lives" (with co-author John Wagner and art by Brian Bolland, in 2000 AD #224–228, 1981) "The Apocalypse War" (with co-author John Wagner and art by Carlos Ezquerra, in 2000 AD #245–270, 1982) "The Graveyard Shift" (with co-author John Wagner and art by Ron Smith, in 2000 AD #335–341, 1983)
John Sutherland reports that "Douglas's Mediterranean travel writing chimed with the public taste", and that "there was a time when, in smart literary conversations, Norman Douglas was regarded as one of the smartest things going. Part of that smartness was his keeping, for the whole of his long depraved life, one jump ahead of the law."
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The Bogie Man is a comic book series created by British writers John Wagner and Alan Grant and artist Robin Smith. The main character is Francis Forbes Clunie, a Scottish mental patient who resembles Humphrey Bogart and believes he is him, or rather a composite of the hard-boiled characters Bogart played in his films. Each story revolves round ...
He then met John Wagner, another former D.C. Thomson editor, who was helping put together a new science fiction comic magazine for IPC, 2000 AD, and was unable to complete his other work. Wagner asked Grant if he could help him write the Tarzan comic he was working on; so began the Wagner/Grant writing partnership. [6]