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Blackface in contemporary art covers issues from stage make-up used to make non-black performers appear black [1] (the traditional meaning of blackface), to non-black creators using black personas. [ 2 ] [ 3 ] Blackface is generally considered an anachronistically racist performance practice, [ 4 ] despite or because of which it has been widely ...
The work may also need conservative attention from a different angle, which would necessitate reverting any past restoration [13] The delining process is noted to oftentimes be laborious and may inadvertently cause more damage to the work. [7] In the case of resin or wax-based adhesives, each layer must be gently scraped away to reveal the ...
Photographic emulsion is a light-sensitive colloid used in film-based photography. Most commonly, in silver-gelatin photography, it consists of silver halide crystals dispersed in gelatin. The emulsion is usually coated onto a substrate of glass, films (of cellulose nitrate, cellulose acetate or polyester), paper, or fabric.
The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. [5] The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt , around 100–300 AD, [ 6 ] but it was a very common technique in ancient Greek and Roman painting.
Photographic fixer is a mixture of chemicals used in the final step in the photographic processing of film or paper. The fixer stabilises the image, removing the unexposed silver halide remaining on the photographic film or photographic paper, leaving behind the reduced metallic silver that forms the image. By fixation, the film or paper is ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
Always handle the film by the edge to avoid touching the image surface. [11] Users must be careful when removing film from enclosures to avoid scratches or abrasions. Never force rolled film flat if it is brittle, as it can snap or break. Always work in an uncluttered and clean environment that is well-lit and ventilated. [28]
The frosted glass effect can also be achieved by the application of vinyl film, used as a sort of stencil on the glass surface. "Photo-resist", or photo-resistant film is also available, which can be produced to mask off the area surrounding a decorative design, or logo on the glass surface.
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