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The swing era of jazz reached its peak in the 1930s, where the trombone was then popular. In a standard swing band there were 5 saxophones, 4 trumpets, 3 or 4 trombones and a rhythm section. This is when trombone started to stand out as a solo instrument, with players such as Jack Teagarden. Characteristic of the Teagarden style of trombone ...
Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) [1] was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombone playing. [2] His theme song was "I'm Getting Sentimental Over You".
Helen Elizabeth Jones Woods (October 9 or November 14, 1923 – July 25, 2020) was an American jazz and swing trombone player renowned for her performances with the International Sweethearts of Rhythm. She was inducted into the Omaha Black Music Hall of Fame in 2007.
While the trombone was featured prominently in dixieland and swing music, it fell out of favor among bebop musicians, largely because instruments with valves and keys (trumpet, saxophone) were believed to be more suited to bebop's often rapid tempos and demand for technical mastery.
1990 The Art of the Big Band; 1991 Departure; 1993 Only in New York; 2000 Homage to Count Basie; 2003 Gently; 2004 Live at MCG; 2006 Old School New Lessons; 2008 Swing Out; 2012 For the Moment; With The Rolling Stones. 1995 Stripped; 1998 No Security; 2008 Shine a Light; With Philippe Saisse. 1995 Masques; 1997 Next Voyage; 1999 Halfway Till ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Charlie and his Orchestra (also referred to as the "Templin band" and "Bruno and His Swinging Tigers") were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States ...
Erenberg, Lewis A. Swingin' the Dream: Big Band Jazz and the Rebirth of American Culture (1998) Gitler, Ira. Swing to Bop: An Oral History of the Transition in Jazz in the 1940s (1987) Hennessey, Thomas J. From Jazz to Swing: African-Americans and Their Music, 1890–1935 (1994). Schuller, Gunther. The Swing Era: The Development of Jazz, 1930 ...
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