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Lezim or lazium is a folk dance form, from the state of Maharashtra in India. [1] Lezim dancers in formation. Sometimes also spelt as "Lezium", Lezim dancers carry a small musical instrument with jingling cymbals called the Lezim or lezium, after which the dance form is named. There are minimum 20 dancers in lezim.
Each tamasha mandal performs approximately 210 days in all over Maharashtra and also some border villages of Karnataka and Gujarat. Traditional Tamasha format consisted of dancing-boys known as Nachya , who also played women's roles, a poet-composer known as Shahir , who played the traditional role of Sutradhar or a jester known as Songadya ...
Dollu Kunitha (Folk Dance Of Karnataka, India) Dandiya (Folk dance of Gujarat, West India) Deodhani (Folk dance of Assam, North East India) Dhangari (Folk dance of Maharashtra, West India) Dhemsa (Tribal dance of Koraput, Odisha) Domkach (Folk dance of Bihar and Jharkhand)
[10] [13] Garba which is the renowned folk dance of Gujarat is an integral part of Navratri Celebrations.It has earned the 'Intangible Cultural Heritage of Humanity (ICH) tag from Unesco. The garba of Gujarat is the 15th ICH element from India to be inscribed on the Unesco list. [14] The Tippani dance originated in the Chorwad region of ...
Maharashtra is a state of India. The region's folk heritage includes boards, Gondhals, Lavanis-(Lavani or Lavni is all about how much emotion your face can propagate into. Mastery is different in this dance form and is Maharashtra's cherished factors which are disappearing rapidly.) Shahiris and Powada. Sharang Dev, a 13th-century composer, was ...
Garba is a form of Gujarati dance which originates from the state of Gujarat, India. The name is derived from the Sanskrit term Garbha. [1] Many traditional garbas are performed around a centrally lit lamp or a picture or statue of the Hindu goddess Durga. Traditionally, it is performed during the nine-day Hindu festival Navaratri).
In its construction, the Tarpa is a Single-reed instrument with two pipes possessing free-beating reeds (in principle similar to the Pungi or the Hulusi). [5] The structure of the instrument can be divided into three parts - the reservoir chamber or a wind chest with a mouth-blowing hole, the bamboo pipes with holes for controlling pitch, and the resonant horn chamber with a hole for ...
Dandiya-raas exists in the different forms, including the collegiate competitive form. [5] The dance style is now in a competitive format and a traditional format. [5] Men and women traditionally play dandiya-raas and the dance operates in pairs, meaning the group must contain an even number. Generally, two lines are formed, with partners ...