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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
101.6 × 127 mm 124 roll film 1905 1961 3 + 1 ⁄ 4 × 4 + 1 ⁄ 4 in 82.55 × 107.95 mm 3.716-inch spool: same picture size as 118 with longer spool 125 roll film 1905 1949 3 + 1 ⁄ 4 × 5 + 1 ⁄ 2 in 82.55 × 139.7 mm like 122 on longer spool; also for stereo pairs, 3 + 1 ⁄ 4 in × 2 + 1 ⁄ 2 in × 2 126 (early roll film) roll film 1906 1949
The common 1" outside diameter circular video camera tubes have a rectangular photo sensitive area about 16 mm on the diagonal, so a digital sensor with a 16 mm diagonal size is a 1" video tube equivalent. The name of a 1" digital sensor should more accurately be read as "one inch video camera tube equivalent" sensor.
4:3 (1.33:1) (generally read as Four-Three, Four-by-Three, or Four-to-Three) for standard television for fullscreen aspect ratio 1.33:1 has been in use since the invention of moving picture cameras, and many computer monitors used to employ the same aspect ratio. 4:3 was the aspect ratio used for 35 mm films in the silent era.
35 mm film is scanned for release on DVD at 1080 or 2000 lines as of 2005. The actual resolution of 35 mm original camera negatives is the subject of much debate. Measured resolutions of negative film have ranged from 25–200 LP/mm, which equates to a range of 325 lines for 2-perf, to (theoretically) over 2300 lines for 4-perf shot on T-Max 100.
The sensor usually has a few extra rows of pixels on all four sides, which explains the sensor resolution of 24.3 MPixels often stated, but no information about the exact image size available.) 6,016