Search results
Results from the WOW.Com Content Network
Jesse Edwin Davis III (September 21, 1944 – June 22, 1988) was a Native American guitarist. ... ¡Jesse Davis! (Atco Records, 1971) Ululu (Atco Records, 1972)
"Sue Me, Sue You Blues" is a song written by English musician George Harrison, released on his 1973 album Living in the Material World. Harrison initially let American guitarist Jesse Ed Davis record it for the latter's Ululu album (1972), in gratitude to Davis for his participation in the Concert for Bangladesh.
The career-spanning exhibition "Jesse Ed Davis: Natural Anthem" at Tulsa's Bob Dylan Center pays homage to the guitarist who played with rokc icons.
In a review for Allmusic, the critic Mike DeGagne called "The Ballad of Mad Dogs and Englishmen" the highlight of the album and wrote, "On the whole, Leon Russell and the Shelter People is an entertaining and more importantly, revealing exposition of Russell's music when he was in his prime. ...
Endless Boogie is a studio album by American blues musician John Lee Hooker, released in 1971 through ABC Records.Produced by Bill Szymczyk and Ed Michel, the double album was recorded at Wally Heider Recording with session musicians such as Jesse Ed Davis, Carl Radle, Steve Miller, Gino Skaggs and Mark Naftalin.
Clark's backing band on the album included producer and guitarist Jesse Edwin Davis, bassist Chris Ethridge of the Flying Burrito Brothers, organist Michael Utley, along with pianist Ben Sidran and drummer Gary Mallaber, both of the Steve Miller Band. The album was recorded February-March 1971.
Jesse Ed Davis – Ululu (1972) Atco – piano on "White Live Fever" Allan Capson – Country Lane In My Mind (1973) Marathon – piano, organ; Donna Moon – Bittersweet (1973) Marathon – piano; Jo-Anne Newman – Easy Country (1974) Condor – piano; Crosby & Nash – Wind on the Water (1975) ABC Records/Polydor – electric piano on ...
The Rolling Stones' Tour of the Americas '75 was a 1975 concert tour originally intended to reach both North and South America. The plans for concerts in Central and South America never solidified, however, and the tour covered only the United States and Canada.