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Traditionally the material used in modeling clay, but plaster is considered a less desirable but also less expensive substitute. Frequently the sculpture created by the additive method is a temporary one, used to create a more permanent version in stone or bronze.
A procedure for preparing clay or a clay body by hand: the lump of clay is repeatedly thrown down on a work bench; between each operation the lump is turned and sometimes cut through and rejoined in a different orientation. The object is to disperse the water more uniformly, to remove lamination and to remove air. Whiteware
Paper clay is handmade or commercially available clay to which a small percentage of processed cellulose fiber is added. The fiber increases the tensile strength of the dry clay and enables dry-to-dry and wet-to-dry joins. Commercial paper clays air-dry to a firm, lightweight sculpture, with minimal shrinking during the drying process. [4]
The "clay body" is also called the "paste" or the "fabric", which consists of 2 things, the "clay matrix" – composed of grains of less than 0.02 mm grains which can be seen using the high-powered microscopes or a scanning electron microscope, and the "clay inclusions" – which are larger grains of clay and could be seen with the naked eye or ...
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The history of sculpture in the United States after Europeans' arrival reflects the country's 18th-century foundation in Roman republican civic values and Protestant Christianity. Compared to areas colonized by the Spanish, sculpture got off to an extremely slow start in the British colonies, with next to no place in churches, and was only ...