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The earliest mention of the word chungong is found in the Chu Ci, but the word only began to mean erotic paintings from the Song dynasty. [7] [3]The first known record of the tradition of erotic art, however, dates back to 2nd century B.C. Chen ping of the Han Dynasty, and Guangchuanwang were said to have enjoyed drawing erotic art.
The "Six principles of Chinese painting" were established by Xie He, a writer, art historian and critic in 5th century China, in "Six points to consider when judging a painting" (繪畫六法, Pinyin: Huìhuà Liùfǎ), taken from the preface to his book "The Record of the Classification of Old Painters" (古畫品錄; Pinyin: Gǔhuà Pǐnlù ...
Before the creation of the book, Chinese art-related works mainly focused on appreciation and cataloging, such as Gu Kaizhi's (顾恺之) On Painting and Xie He's (谢赫) Classified Record of Ancient Paintings. Zhang Yanyuan thus pioneered Chinese art history by being the first to document painters in a chronological format.
A rich source of art in early China was the state of Chu, which developed in the Yangtze River valley. Excavations of Chu tombs have found painted wooden sculptures, jade disks, glass beads, musical instruments, and an assortment of lacquerware. Many of the lacquer objects are finely painted, red on black or black on red.
Along the River During the Qingming Festival (simplified Chinese: 清明上河图; traditional Chinese: 清明上河圖; pinyin: Qīngmíng Shànghé Tú) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries.
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This ...
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Ming painting provided the basis for early Qing painting, from skills, style, subjects and theoretical basis. The concept of Northern and Southern Schools, developed by Dong Qichang in the late Ming period, influenced the more academic formal painters, such as Wang Yuanqi [ 2 ] well as providing an inspiration for daring originality for the ...