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Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
She also proposes a more detailed taxonomy: (1) the "insertable" self-portrait, where the artist inserts his or her own portrait into, for example, a group of characters related to some subject; (2) the "prestigious, or symbolic" self-portrait, where an artist depicts him- or herself in the guise of a historical person or religious hero; (3 ...
Dürer was an outstanding draftsman and one of the first major artists to make a sequence of self-portraits, including a full-face painting. He also placed his self-portrait figure (as an onlooker) in several of his religious paintings. [34] Dürer began making self-portraits at the age of thirteen. [35] Later, Rembrandt would amplify that ...
At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. [9] Modern scholarship, especially the Rembrandt Research Project , has reduced the autograph count to over forty paintings, as well as a few drawings and thirty-one ...
The first known self-portrait was made in 1839 -- and with the introduction of social media, the art of the selfie has changed drastically.
On the whole, Leyster's painting is similar to self-portraits by other women artists. In depicting herself at her easel with an unfinished painting, holding both a palette and a paintbrush, she creates a self-portrait that recalls Catharina van Hemessen's 1546 self-portrait, as well as a self-portrait by Sofonisba Anguissola that dates to c ...
This figure is unlikely to change much in the future, as the self-portrait in painting has declined sharply during the 20th century, marked by new pictorial movements leading to what has been called the "disappearance of the figure", or "crisis of mimetic representation", and by the rise of photography and then digital art.
For over a decade, the photographer Nona Faustine shot self-portraits in and around New York City, in many instances posing fully nude apart from a pair of crisp white pumps.